Tag Archives: listen in

Researching, Writing and Meditating

Award-winning crime writer and journalist Matt Beynon Rees has several good podcasts on researching, writing and editing a book, as well as meditating for writers.

Rees has lived in Jerusalem for more than a decade and is the author of the first Palestinian detective series, starting with The Collaborator of Bethlehem. I love how the series has managed to stay true to both the touchstones of the crime genre and the subtle realities of Arab life that media often miss. His latest book is Mozart’s Last Aria, published in the U.S. on Nov. 1.

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Smile, Sweetheart

Another delightfully eccentric podcast from Radio Lab recounts how an unexpectedly appealing 19th century death mask became a wildly popular artists’ collectible and then, in 1958, the face of the contemporary CPR dummy:

This is a story about a woman. (Good.) You’ve probably seen her. (Really?) You’ve seen her face. You may have even– (Dated her?) Well, put your mouth on her. (Ewww….Explain.) So you know when you got to bring somebody back to life…?

Listen to all 17 minutes and 51 seconds here. Can’t get enough of radio lab + history? Don’t miss this earlier podcast.

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Quotable: Meryl Streep

Streep delivered this thoughtful, moving commencement address at Barnard in 2010, and she spoke with Fresh Air‘s Terry Gross this week.

Here’s an excerpt from Monday’s interview in which Streep discusses her experience filming The Iron Lady and the need for minimal yet transformative makeup:

It’s not about the audience. It’s all about fooling the other actors into believing that you are who you say you are. Because that’s hard, when you walk on set and it’s a big makeup job. And it makes it hard for them. And I take my entire performance from them, so if they don’t look at me and hate me appropriately or love me the way they’re supposed to or find, you know, an old face but see the young one underneath which is Jim Broadbent’s task as Dennis Thatcher, then I’m lost, I don’t have anything to go on because I can read that immediately in their eyes, you know?

Listen to the rest

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Friday Fun: The Beauties

Over at The Guardian, Philip Pullman, author of the splendid trilogy His Dark Materials reads his favorite Chekhov short story, The Beauties (online text).

A taste:

. . . but then I gradually forgot myself and surrendered entirely to the sensation of beauty. I no longer remembered the dreary step in the dust, no longer heard the flies buzzing, no longer tasted my tea. All I was conscious of was the beautiful girl standing on the other side of the table. My appreciation of her beauty was rather remarkable. It was not desire, not ecstasy, not pleasure that she aroused in me, but an oppressive yet agreeable melancholia, a sadness vague and hazy as a dream.

Listen to all 22 minutes here.

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Why Bother With the Past?

I’ve just reread the darkly splendid Sacred Hunger so as to fully enjoy its recently published sequel The Quality of Mercy.

Over the years, I’ve read five of Barry Unsworth’s historical novels, each of which cleave mind and sense so seamlessly that it’s possible to forget that they are ever at odds.

In this lecture originally delivered in 2009 at the Key West Literary Seminar, he talks about why history matters to him and to us:

Why bother with the past? The first and immediate answer is that we haven’t got any choice in the matter. The past is being forged from moment to moment as we live, our past and the past of the world, in unbroken continuity. I’m here, I’m standing here, and I am what I am because of decisions that my father made long, long before I was thought of . . .

Download the podcast here. Want more? Listen to “The Economy of Truth,” another Unsworth lecture from the same seminar, here.

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Friday Fun: How About Them Apples?

Absolutely this year“?!

Not good enough, Epic Records CEO. Not epic at all. Totally inadequate in fact.

Free Fiona’s fourth studio album now please!

For those of us not lucky enough to see the little Apple in concert this month and presumably playing new music, there is plenty of old music to go around, some of it previously undiscovered (by me, anyway), including this fabulous playlist of covers put together by TwentyFourBit, from which comes the above video of Apple singing Dolly Parton’s “Jolene” on the Watkins Family Hour.

Tell it like it is, Bare Naked Ladies: “These a-pples are de-li-cious! ‘As a matter of fact they are,’ she said. Can all this fruit be free-ee-ee?”

March Madness: Sigmund Freud’s Dora: An Analysis of a Case of Hysteria.

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1938: Freud on BBC

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More Freud

Can’t get enough of Dr. Freud’s online incarnation? Browse on:

Doctoral student Benjamin Y. Fong, in a contribution this month to the NYT’s Opinionator blog, makes a case for the enduring relevance of “radical talking”:

What Freud proposed, and what remains revolutionary in his thought today, is that human beings have the capacity for real change, the kind that would undo the malicious effects of our upbringings and educations so as to obviate the need for “breaks from real life,” both voluntary and involuntary.

Edward Bernays pioneered another use for Uncle Freud’s psychological insights in the new field of “public relations,” according to a 2005 NPR report.

Essayist and actor David Rakoff once scored an unusual gig playing Freud in a Barney’s window display and he talks about it in a 1996 episode of This American Life.

Time Magazine deemed Freud cover-worthy five separate times in between 1924 and 1999.

Literary critic Harold Bloom anointed Freud in 1986 as “the greatest modern writer” in The New York Times:

No 20th-century writer – not even Proust or Joyce or Kafka – rivals Freud’s position as the central imagination of our age. We turn to Freud when we wish to read someone absolutely relevant on any matter that torments or concerns us: love, jealousy, envy, masochism, cruelty, possessiveness, fetishism, curiosity, humor or what we will.

W.H. Auden paid tribute to a man who is “no more a person now but a whole climate of opinion” in the 1940 poem In Memory of Sigmund Freud.

And a 1910 watercolor by Adolf Hitler may once have hung on the wall of Sigmund Freud’s Vienna practice, prompting speculation (after the painting’s reemergence in 2010) that the two men may have met.

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It’s a Mad, Mad World

If you haven’t watched Sunday’s premiere, well, go do it already…and then come back and read:

Rob Sheffield’s pitch-perfect commentary in Rolling Stone, sampled here:

Many fans were horrified to see Don act like a starry-eyed sucker [last season], instead of the cool customer we need him to be. It turns out this guy believes in Hollywood happy endings. He’s not satisfied to sell the American dream – he wants to believe. And if even Don Draper falls for his own promises, what hope is there for the rest of us?

Nelle Engoren’s predictions as to what will make Mad Men history over at Salon:

While provoking countless fights between parents and children, shorter skirts and longer hair (on both genders) were only the most visible signs of the (not just sexual) revolution. It’ll be amusing to see if Don finally washes the Brylcreem out of his hair and whether Pete appears in a Nehru jacket, but the real question is who will adopt the new fashions of the mind.

Vanessa Quirk’s meditation on the Mies in Mad Men:

The show draws in audiences with a meticulous, sumptuous set design that allows a nostalgic journey back in time: when design was innovative & clean, architecture was confident (cocky even), and modernism still held its promise.

And Terry Gross’s interrogation of Matthew Weiner the man (behind the man) of the moment on NPR’s Fresh Air.

Off next week: Back to blogging on April 9 with The Jungle.

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